TheBabysitter: Directed by McG. With Judah Lewis, Samara Weaving, Robbie Amell, Hana Mae Lee. When Cole stays up past his bedtime, he discovers that his hot baby sitter belongs to a satanic cult that will stop at nothing to keep him quiet. Crítica Babysitter. Crítica: Babysitter. 23/01/2022 - La actriz y directora Monia Chokri vuelve tras la cámara con una vivaz, creativa y divertida segunda película, que adapta la obra de Catherine Léger. Una adaptación cinematográfica de una obra que trata sobre el sexismo puede parecer una auténtica pesadilla. Ateenage babysitter is the focus of two boys and a man’s separate obsessions. Subscribeto get all the latest content 17, high-school junior Shirley Lyner is thinking about college and running a babysitting s TheBabysitter is a comedy, obviously, but it’s still trying to tell a real, Diablo 4 Update 1.3.0 Includes Class Changes, New Legendary Aspects and Uniques, and More. Aquípuede ver la Película The Babysitter: Killer Queen! completa en Español, latino y subtitulado sin publicidad ni cortes. Ver online la nueva Película en calidad HD Ver The Babysitter: Killer Queen 2020 Películas Online en Español ========== VER Película : The Babysitter: Killer Queen Online grat Thisintroduction to those neighborhoods, streets, trees and others really fascinate me, everything looks very nice and already makes some things clear about MovieSynopsis: Looking for a baby-sitter for the night, Marc Schaudel entrusts his son Remy to the care of his employee Franck, a straight man. But the thing that Marc doesn't know, is that Franck is getting 30 years old this weekend and that his son Remy is a very capricious child. TheBabysitter (Título original: The Babysitter) es una película de cine dirigida por: McG el año: 2017. Interpretada por: Bella Thorne Argumento: Los protagonistas de esta historia son un niño en plena adolescencia, Cole, que queda cautivado por la atractiva y extravagante niñera, pero que oculta un secreto que no Inthat story, a nameless babysitter arrives and suddenly 106 paragraphs – each broken apart with a different point of view and plot – tear apart in-story reality and fantasy as everybody fantasizes about everything and then people die. Guy Ferland clearly outlines reality and fantasy until gross fantasy becomes an uglier unsatisfying reality. dByLtI.